美术欣赏6.pptx

,单击此处编辑母版标题样式,单击此处编辑母版文本样式,第二级,第三级,第四级,第五级,*,美术欣赏,第六章 世界美术名家名作介绍,1/22,泉是,法国古典主义画派,多米尼克安格尔,(1780-1867),作品。（,164X80,厘米）,安格尔,泉,The Source,2/22,安格尔在裸女上所寄予理想，则是“,永恒美,”这一抽象概念。究其实，乃在于寻求以线条、形体、色调相谐和女性美表现力。这在他那些描写土耳其宫女裸女画上尤为显著。晚年，安格尔画了这一幅泉，则深入反应了画家对美一个全新观念，那就是他深深以为用精细造型伎俩创造一个抽象古典美典范必要性。76岁高龄安格尔，终于在这一幅泉上，把他心中长久积聚抽象出来古典美与详细写实少女美，找到了,完美,结,合形式,。,泉是安格尔裸女形象中,最负盛名,一幅,是他自于,1820,开始,经近,30,年,才完稿。是西欧美术史上描写女性人体优异作品之一。安格尔笔下这位少女纯洁、典雅、恬静、健康,漂亮,充满生命活力和青春朝气。,泉实现了安格尔对人体美与古典美完美结合形式追求。,Ingress successfully combined physical beauty and classical beauty this painting,。,3/22,泉画中那位举罐倒水裸体少女，身躯略呈,S,型，婀娜多姿，双目透出清纯，即使身体袒露，却让人以为她如清泉般圣洁。,画面左下角那朵含苞未放雏菊下是她象征。,The naked young girl lifted the pot and pure water.Her body twisted like“S”,her eyes pure and clean just like the spring.The naked girl was pure,quite beautiful and full of energy.The daisy on the left corner just stands for her.,米开朗基罗、乔尔乔内等大师裸女表达是一个,充满人性,时代理想，而安格尔在裸女上所寄予理想，则是“,永恒美,”这一抽象概念。,4/22,安格尔,大宫女于,1814,年完成，布面油画 91*162cm现藏巴黎,卢浮宫博物馆,。,大宫女就严格古典格调去要求，安格尔,所画这个人物是有着很大虚构性。,首先，色彩“音域”受到严重破坏，背景上很强蓝色和裸体肌肤黄色，以及人体明暗和粉红色调极不谐调，其次是前面所说夸大了形体，这个女裸体几乎成了变形美一个试验.,5/22,德拉克罗瓦,自由领导着人民,Liberty Leading the People,6/22,反应,1830,年革命自由领导着人民是德拉克罗瓦最含有,浪漫主义,色彩作品之一。画家以奔放热情歌颂了这次工人、小资产阶级和知识分子参加革命运动。高举三色旗象征自由神妇女形象在这里突出地表达了浪漫主义特征。她健康、有力、果断、漂亮而朴素，正领导着工人、知识分子革命队伍奋勇前进。强烈光影所形成戏剧性效果，与丰富而炽烈色彩和充满着动力构图形成了一个强烈、担心、激昂气氛，使得这幅画含有生动活跃激感人心力量。,7/22,阿道夫门采尔,Adolf von Menzel,（1815-1905）,是,19,世纪德国最出色,现实主义,画家，他有着深厚素描功底，在油画、版画、水彩画等方面都有造诣。,Adolf von Menzel,1815-1905,the most outstanding realism painter of Germany in the 19th century.,He has the deep sketch foundation of basic skills;he has the attainments in oil painting,block print,watercolor painting and so on.,8/22,门采尔,轧铁工厂,Iron Rolling Mill,9/22,此画于,1876,年创作，法国,260cm180cm,布,油彩,。,阿道夫,威廉,布格罗,森林之神与仙女们,Nymphs and Satyr,10/22,阿道夫威廉布格罗（1825-1905）,William Adolphe Bouguereau,布格罗是著名法国,学院派古典主义画家,。,William Adolphe Bouguereau,famous French academic painter,.,这是一幅充满形式美感作品。画家描绘了漂亮仙女们与森林之神在跳舞、嬉戏，塑造了充满诗意神话人物形象及相互关系被刻划得维妙维肖。在森林幽暗背景前，女裸体被画家以唯美形式给予完美展示，尤其是近景处那位裸体女郎，背部丰腴柔美，线条流畅，匀称友好，堪称无可挑剔，炉火纯青。这是一幅弥漫着音乐与诗情作品，是,“,回到自然,”,浪漫主义杰作。,This is one painting filling with the air of music and the poetic affection,is the romanticism masterpiece of“,returning to nature,.,11/22,维纳斯诞生,Birth of Venus,于,1879,年,布格罗,创作（,299.7217.8cm,）,布面油彩画，现藏于巴黎奥赛博物馆。,12/22,布格罗这一幅,维纳斯诞生,，在同类题材绘画中有其独特之处。他以极富想象力构图，创造出个人顿生幻想空间，同时又以写实造型伎俩，把神女维纳斯现实化、理想化，给人以亲近感。最主要是，他利用浪漫主义处理方式，组织了现实与非现实、人与神、天上与地面等空间关系和人物关系，给人以瑰丽和奇异艺术感觉，让人领会到浪漫主义艺术之美。,He created the space of individual-producing fantasy by the extremely rich imagination composition and the practical modeling method,made the goddess Venus realized and idealized to be felt intimated.Most importantly,he utilized the romanticism processing mode to organize the space and figures relationship of reality and unreality,beings and Gods,sky and ground and so on,present magnificent art feelings for the human and let us understand the beauty of the romanticism arts.,13/22,当代雕塑艺术之父,罗丹（,1840-1917,）,Auguste Rodin,Father of the modern sculpture art,罗丹青铜时代、思想者、雨果、加莱义民和巴尔扎克等作品都有新创造，曾受到法国学院派抨击。包含着,186,件雕塑地狱之门设计，即因当初官方阻挠而未能按计划实现，只完成,思想者、吻、夏娃,等部分作品。罗丹是最出色浪漫主义雕刻大师。,罗丹在欧洲雕塑史上地位，正如诗人,但丁,在欧洲上地位。罗丹和他两个学生,马约尔和布德尔,，被誉为欧洲雕刻,“,三大支柱,”,。,The status of Rodin in European sculpture history is just like poet Dantes in Europe.Rodin,together with his two students Mayore and Boodell,is carved by the reputation for Europe“three big props”.,14/22,罗丹一生是被人攻击和嘲讽、同时亦为人了解和支持一生。,他第一件入选沙龙作品,塌鼻者,未引发注意，而造成轰动,青铜时代,却因人体逼真精到，被诬蔑为从真人身上套下模具。罗丹所遭到谩骂攻击在他创作,巴尔扎克,时到达极点，这件神品却被讥为“,麻袋片中癩蛤蟆,”而糟拒绝。人们当初认识不到它已开创了一个全新时代，实际上，甚至连罗丹自己也未能再超越它。,The fling abuses Rodin encountered when he created,Balzac,reached the tip.,this marvelous work was ridiculed as actually“,a toad in the gunnysack piece,”and was rejected badly.The people at that time did not know it,started a brand-new time;in fact,even Rodin himself was not able to surmount it again.,15/22,罗丹,巴尔扎克,人物全身包含双手在内，都被裹在宽大睡袍之中，以突出那毛发散乱硕大智慧头颅。手法奔放可与中国画酣畅泼墨媲美。,The characters whole body including both hands are all bound in the spacious sleeping robe,to highlight the gigantic wisdom head with hair scattered in disorder.The bold technique may setoff with the traditional Chinese hearty splash ink painting.,16/22,罗丹,思想者,17/22,思想者,原为,地狱之门,组塑一部分，后翻铸成,铜,像。地狱之门取材于,但丁神曲,，思想者是罗丹用以象征但丁形象。一个强有力巨人弯腰屈膝坐着，右手托腮，嘴咬着自己手，他默默凝视着下面被洪水吞噬苦难深重人们。她爱人类，难以对那些罪人作出最终判决，他深怀同情，陷入极大痛苦和永恒沉思之中。罗丹在构思思想者这一塑像时，重复地推敲怎样更加好地表现“人学会了思索，但那是在付出了艰辛劳动后才学会”主题。他让塑像思想者右臂支在左腿上面，这是一个很不自然姿势，但他又以为这个姿势担心状态恰好表示了从兽类逐步进化成思想者所必须付出那种努力，塑像躯体变得魁伟粗大，两肩很有力量，脚和手也变得硕大有力。因为罗丹着重表现了那种苦思冥想而坚定不屈力度，终于使思想者成为当代世界最著名塑像之一。,18/22,俄罗斯绘画,Russian Drawing,含有强烈,现实主义精神,和,充满人文情愫,俄罗斯绘画艺术是世界艺术史上引人注目标光芒篇章。从,18世纪到20世纪,三百年间，俄罗斯绘画界,学院派,、,巡回展览画派,、,艺术世界画派,、,先锋画派,等各种艺术流派纷呈，名家辈出，是俄罗斯绘画艺术辉煌主要历史时期。,Russian drawing art with intensive realism spirit and humanities feelings is the noticeable glory chapter in the world art history.During 300 years from the 18th century to the 20th century,the famous experts in Russia drawing pour forth,such as the academism,the tour display picture faction,the artistic world picture faction,the cutting-edge picture which marks off sends and so on.The period is the magnificent important historical period of Russian drawing art,19/22,克拉姆斯柯依,无名女郎,Portrait of a Unknown Woman,20/22,无名女郎这是一幅颇具美学价值性格肖像画，画家以精湛技艺表现出对象精神气质。画中无名女郎高傲而又自尊，她穿戴着俄国上流社会豪华衣饰，坐在华贵敞篷马车上，背景是圣彼得堡著名亚历山大剧院。终究“无名女郎”是谁，至今仍是个谜，。画家在肖像画上创造了一个新表现格调，即用主题性情节来描绘肖像，展示出一个刚毅、果断、满怀思绪、散发着青春活力俄国知识女性形象。,Kramskoy painted the Portrait of an,Unknown Woman,in 1883.This is the most intriguing and well-known painting by Kramskoy.It shows a haughty,exquisitely dressed woman riding in her open carriage on the,Anichkov Bridge in St.Petersburg.Stasov(art critic from that time)said of the painting,She is a coquette in a carriage.Kramskoy himself said,Some people have said it is not known who this woman is.Is she decent,or does she sell herself?But within her is an entire epoch.Over time,however,the,Unknown Woman,has become a symbol of sophistication,beauty and spirituality;the Russian Madonna.,21/22,深渊,At the shadow,（又名：夏天黄昏）150cm209cm是,俄罗斯画家伊萨克.伊里奇.列维坦（18611900）,于,1892,创作，现收藏于,莫斯科特列恰柯夫美术馆,。,22/22,