室内设计-外文翻译-外文文献-英文文献-(2).doc

Talking about the symbols in the environment
of the use of Art and Design

Abstract:
The inheritance and innovation over the years the relationship between art and design environment has been the focus of attention. This article hopes for the design of symbols used to explore the culture, about the mysteries of inheritance and innovation of the trace of sentiment.
Keywords:
deformation grammar separatist symbols constitute

Inheritance and innovation over the years the relationship between art and design environment has been the focus of attention. In fact, from the linguistic point of view, this contradiction is the language of stability and variation between the contradiction. As a designer in the form of design successes and failures of the success or failure depends on the master, "the term" the rich and the use of "grammar" of proficiency. Designers to make their works by others can truly understand, we must choose the appropriate "word" and must comply with the "grammar." This does not mean that designers can only follow the beaten track, no personal contribution. Designers skillfully use the new individual symbols, or a conscious change in inter-symbol combination of a number of conventional relations, create new works of moving, which is design innovation.
Composition has a "specific" component approach, that seems to be very plain in the composition of the sudden appearance of a "heterogeneous" elements, making the program itself is very plain to achieve unexpected results, with a sense of innovation of new symbols like this "heterogeneous." In people's accustomed to things difficult to arouse enough attention and interest in case, some common symbols deformation, splitting, or the preparation of the code to change the order, you can play a compelling, thought-provoking, the strengthening of environmental messaging language role.
United States renowned architect Charles Moore designed the city of Orleans, "Italian Piazza" is bold in design elements taken from a variety of classical symbols, and symbolic means to reproduce them. The entire square to a circular plane Baroque for the composition to the gradual proliferation of black-and-white concentric circles and to the surrounding pavement surface to extend out until the three sides of the street entrance. Classical Roman column, after a face-lift to the face of new shows, such as the Corinthian column is used in stainless steel column, canopies wall carved with the Latin of "this fountain for the public to all the people who offer the gifts" of the message; Doric column on the Flowing Down gurgle, round coupon on the molar smiling portrait, water is constantly spit from his mouth ... here is not only full of bright rich atmosphere of a modern commercial, but also a strong attachment to local feelings. Maps and Italian Apennine Peninsula, Sicily and Sardinia's plan; ancient Rome, the five-column, the deformation Motif combinations and the Arc de Triomphe; circular portico Wai Kwong Hop. In fact, you are immediately aware that it is a mockery of classical Marxism. This is a joyous, almost classical tradition are hysterical embrace pleased.
Today, a variety of side box-style building was considered aloof in the historic and local above only has the technology and a small number of functional semantic semantics, there is no room for thinking aftertaste, the environment has led to apathy and boring criticism. This use of information theory to explain the principle that effective environmental information contained in the symbol system too. In view of this, post-modern architects Venturi loudly called for: "building a rich content, while building to include other aspects of the multi-dimensional art, even including the language, so that it is no longer a mere tool for the space." It advocates environmental complexity and contradictory nature of modernism promoted by substitute simplicity; to semantic ambiguity and tension in place of straightforward; to the multiplicity of semantic opposition to one or the other of opportunism; should be mixed at a glance rather than unity. Stern designed the "best" product showroom are a typical example, it adopted legislation faces many of the traditional symbols and constitute a form, like the ancient Greek pantheon of elevation, thus suggesting he was trying to convey theme purposive: that is, the building as a "temple of consumerism," the commercialization of society reflect the values of people and commercial activities of daily life today, the importance of. But the way metaphors are complex, multiple, without serious thought, it is difficult to understand immediately apparent from its real significance. This design works, for example, not only the depth of the box thinking is more than simply the pursuit like a sailing boat or a bird of prey such as the symbolism of a more intriguing, more philosophical.
The environment as a symbolic phenomenon, in order to address the long-standing problem for the designers of the inheritance and innovation of the paradoxical problem of providing a effective way. Design language as the language of symbols, are rooted in past experience with the rapid development of the society is linked to the new features, new materials, new technology and calls on new ideas. On the one hand, as if it were so general language language changes slowly, on the other hand, with the rapid development of society. How to make the environment not only of historical continuity, but also to adapt to the new requirements of the times?
With the advance of science and technology progress and frequent cultural exchanges, "vocabulary" and "grammar" in the developing trend of convergence, but a nation because of natural conditions, economic and technological, socio-cultural practices of the different environment Association has a number of unique symbols and arrangement. Spoken like the dialect, like the designers cleverly inject this kind of "accent" can enhance the environment for a sense of history and local flavor, and enhance the influence of language environment. Modern Japanese Architecture Master Kenzo Tange designed Kagawa hall is a "new form of the traditional semantic" model. Although the building are used by ordinary reinforced concrete frame structure, but the external form of treatment is the use of Lu Ming Chuan head, beam top traditional symbols, vertical horizontal partition is a natural association to the Japanese main tower of the layers of eaves. Layout has absorbed the advantages of the square tower of the traffic and public facilities on the planar core (similar to the tower Kaguta ventricle), so that they share the smallest Get all floors of the shortest route traffic. So as to show a structure with modern forms of technology to reflect the style of traditional local methods.
United States artist Susan Lange once said, "is always a symbol to simplify the form of the performance of its meaning, that is exactly what we can grasp the reasons for it. Regardless of a work of art (or even all of the arts) is how the complexity of , profound and rich, it is easy than real life. Therefore, the art theory is undoubtedly the establishment of an effective hearts and minds in a vivid reality of the concept of such a great cause of the preamble is more. "symbolic activities have been included in the activities of some abstract no longer remain in the individual above the. Visual symbols are an art symbols, but also the performance of sexual symbols. Relative reasoning in terms of sexual symbols, visual symbols do not have their own system, and any visual symbols have a certain degree of cultural content, and only reflected in a certain degree of emotional structure, around a particular theme of organic combination. Educated Youth Hotel, Mao Jia Restaurant commercial building and so on, it also adopted the hats, corn on the cob, rough wooden tables and chairs, wells and so on, and even more in order to create an atmosphere of clothing are to be attendants, as well as the menu were also cleverly integrated into the Among them, these different geographical significance in rural areas typically rich in visual symbols to create an environment here is like an old album, recording a different person's experience, making the design become more cordial, but also worth pondering. Visual symbols, not only in symbolic form to create the visual association and, more importantly, it can evoke thoughts association, which have empathy, to achieve emotional resonance, thus building more meaningful.
The rapid development of urban construction has brought rapid changes, but at the same time we also lost many will never be able to recover things - historical context. The history of the formation of the streets, alleys, arches, religious shrines and so on urban form as a complete expression of architecture and urban image of the symbol system, being into films, Shing Street, into a Square to be removed, threats to the urban form of the compatibility and continuity . Respect for historical tradition does not mean, rigidly traditional. Instead, consciously keep these traditions, will make the city more local flavor. In fact, "establishing a new" do not have to "old", the key lies in how to approach traditional and fashion to create a new symbiosis of old and new urban form (symbols). "New World" project is located in Shanghai, Xingye Road Huangpi Road, a major site of the Chinese Communists of the surrounding area. "Venue" opposite the south block, design for the modern architecture is not high, which is dotted with some reservations the traditional architecture, and the "venue" in harmony. And "venue" where the north block, the neighborhood retained a large pattern, carefully preserved and repaired the building exterior facade Shikumen, detail and neighborhood-scale space, the building was made larger internal transformation in order to adapt to office, commercial, accommodation, catering and entertainment and other modern life. Have been built from the current part of view, received much praise, has a greater impact. It is said that sales and cost-effectiveness also very good. In fact, in Shanghai, the eastern and western culture shock metropolis, the traditional neighborhood lifestyle never die off, "New World" just give it a reasonable change and continuity, are left for us to think more and enlightenment.
Famous philosopher Ernst Cassirer person think symbols are animals. All human spiritual and cultural activities are the product of symbols. The essence of that person in that he can use to create cultural symbols. Therefore, all cultural forms, is both a symbol of the reality of Events is also the person of the nature of the object. The so-called master culture, in the symbolic level at least, to be skilled to operate constitute the cultural symbols and cultural system rather than the symbol itself, the new experiences and insights woven into symbols go, in fact, symbols themselves are also changing, and the cultural heritage and the innovation of the mysteries of it exist in this variation of the. Confucius and Socrates are still human beings are eternal beacon, and the symbols of modern subjects in this study call for us from the back to Socrates. Will be simple and complex semantics, traditional and fashionable phrase structure, and applied to the design of modern art, thereby creating a personalized, Human Culture's new design symbols.

Fiber art and interior design
Abstract:
Fiber art is a functional fiber art and aesthetic value in one art form. Fiber art is full of natural flavor to the material texture and flavor of the simple hand-woven to meet the emotional needs of a wide range of people, it and other types of interior decoration as compared to an irreplaceable advantages. Fiber art has been to infiltrate the building and environmental matters in all aspects of design, it is mainly the use of various materials and techniques to express the concept of modern design and modern life.
Keywords:
Fiber arts; not include the indoor environment; fiber art

Fiber Art collection of classical and modern, romantic and calm, industrial civilization and traditions in one hand, are an ancient and young arts. It is natural animal and plant fiber or synthetic fiber materials, with knitting, ring binding, winding, Stitch and other production means, the creation of planar, three-dimensional image of a form of art. Fiber arts, including traditional flat-style fabric, modern popular three-dimensional fabrics, daily arts and crafts, as well as space in modern architecture with the expression of a variety of fiber materials modeling language works.
1. fiber texture art interior environmental design on the impact of material selection.
The performance of fiber art are texture and texture to create items, which, whether in visual or tactile, the both have an unparalleled visual appeal. Fiber art of material selection is very extensive, almost all types of textile fibers may be applicable. The use of different materials through different processing or the use of different structures can produce different textures. Texture by the objects are unique color, luster, shape, texture, cold, thick, soft and hard and transparency and so on constitute a large number of attributes. Constitute the attributes of diverse, complex portfolio, will also change texture infinite. At the same time, textures are also belong to the common perception of visual and tactile qualities of materials, exterior materials and textures complement each other, all kinds of materials are exposed through the texture to its true features and through the texture to express the characteristics of materials. Fiber interior accessories through tactile senses given different psychological feelings, such as hard and soft, thick, hot and cold and so on. At the same time, set up in the memory of visual perception, evoke images of different psychological perception, distinguishing texture characteristics. Modern fiber art is a breakthrough and go beyond the traditional, mainly manifested as fiber such material on a higher level of understanding and application. Traditional fiber art, mainly in natural fiber materials. These materials include silk, wool, hemp, cotton and so on. Used in modern fiber art materials, has broken through the traditional constraints. Here the "fiber" is no longer just cotton, hemp, wool, brown, rattan and other traditional fiber materials, including chemical fiber and latitude of the hard and soft woven material, as well as all of the linear material, and even some metal fibers have also been artists of all ages. American fiber artists such as Nancy's work "The Golden Wave" used wool, viscose fiber and copper wire as material. Bulgaria Cayman million fiber artists work "with the weft" a plastic tube and wool as a material. Modern fiber art of painting from nature than from the pursuit